![]() The Devil’s Party: Metal and Literatureģ6. ![]() Jawbreaker: Literary Punk and Authenticityģ5. Literary Pop: Dissecting the Creative Process Behind Maxïmo Park’s ‘Leave This Island’ģ4. Confessional Poetry, Confessional Pop: Gender, Race, and the Lyric Form in Modern American Writing and Musicģ3. Call-and-Response: Black Music and Literature, from Langston Hughes to Morgan Parkerģ2. Dusty’s Answer, or, Pop Song for Ali Smithģ1. Literary Beethovens: Convention, Difference, and Cultural Memoryģ0. Jazz Fiction in Global Context: Between Racial Politics and Improvisational PoeticsĢ9. ‘Booklovers’? Popular Music and the Literary CanonĢ8. The Muses of Noigandres: Music and Form in Brazilian Concrete PoetryĢ7. Coherence and Counterpoint: Music in the Modern Short StoryĢ6. Music as Content, Form, and Metaphor in Hermann Hesse’s Castalian UtopiaĢ5. Sound and Sense Interwoven: Aldous Huxley’s Music of IdeasĢ4. Variation Form in Virginia Woolf’s Fiction and NonfictionĢ3. Form and Music in Modern Chinese PoetryĢ2. Music Without Music – Kurt Schwitters’s UrsonateĢ1. Setting Music to Music: Mallarmé, Boulez, and the Transformation of ThoughtĢ0. Formal Innovations and The Idea of Music in French Poetry, 1850-1900ġ9. Forming Time: Music, Literature, and Modernityġ7. ‘Tenderness of an England Long Past’: Opera, Elegy, and the Music of Alan Hollinghurstġ6. Another Turn of the Screw: Enigma in Benjamin Britten and Henry Jamesġ5. Of Sailors and Divas: Jean Cocteau’s and Francis Poulenc’s La Voix humaineġ4. Dialogues with Pushkin: From Tchaikovsky to Stravinsky and The Rake’s Progressġ3. Pushkin in the Language of Exile: Arthur Lourier’s The Feast During the Plagueġ2. Trouble in Paradise: Colette’s Claudine s’en va (1903) and the Problem of Writing about Wagnerġ1. Modern Fiction and Opera: Representing Interiorityġ0. Towards Spirit: Samuel Beckett’s Phenomenology of Musicĩ. On Themes and Variations: Music and Literature in Poststructuralismħ. Re-writing Music Lyrics as Resistant Poetry in Tyehima Jess’s Olio and Morgan Parker’s There Are More Beautiful Things Than BeyoncéĦ. Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amourĥ. ‘That is the music which makes men mad’: Hungarian Nervous Music in Fin-de-Siècle Gay LiteratureĤ. Music, Literature, and the Aesthetics of Eugenicsģ. The Universal: Now You See It, Now You Don’tĢ. Once the download is complete, you can press play and begin listening to the audiobook on the go from your device.1.
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